Heinrich von Kleist

  • Portrait of Heinrich von Kleist; copy made by an unknown artist between 1831 and 1837 of the original miniature by Peter Friedel (1801); © Kleist-Museum

Heinrich von Kleist (1777-1811) is regarded as a poet of radical change, a pioneer of the modern age in literature. Today he is well-known as the author of extremely influential dramas, stories and comedies such as Kaethchen of Heilbronn, Michael Kohlhaas or The Broken Jug. Originating from an old aristocratic family, Kleist’s life was full of changes but also tragic. While the poet’s works occasionally met with rejection and harsh criticism during his lifetime and his opportunities to exercise an influence were relatively small, 200 years after his death by suicide Kleist is seen as one of the greatest authors in the German language. During a shifting history of reception, Heinrich von Kleist’s literary legacy has won general popularity and above all the interest of scholars and artists.


Kleist, Heinrich von. Penthesilea. Ein Trauerspiel.
Tübingen, im Verlag der Cottaischen Buchhandlung und gedruckt in Dresden bei Gärtner [1810].
(Kleist, Heinrich von. Penthesilea. A tragedy.
Tübingen, published by the “Cottaische Buchhandlung” and printed in Dresden by Gärtner [1810].)

Individual scenes had already been published in the magazine Phöbus before the first edition of Penthesilea, comprising 750 copies, appeared in July 1808. Actress Henriette Hendel-Schütz mimed various scenes from Penthesilea at a performance in 1811. However, the premiere of the complete drama, which contemporary critics considered “a brilliant annoyance”, did not take place in Berlin until 25th April 1876.This copy belonging to the Kleist Museum came from the estate of Walter Rathenau (1867-1922), who was the victim of political assassination. Rathenau’s mother later passed on the book to Edwin Redslob (1884-1973), ‘imperial commissioner of art’ during the Weimar Republic.

 


Ewald Christian von Kleist

  • Portrait of Ewald Christian von Kleist

Ewald Christian von Kleist, born on his father’s estate Zeblin near Köslin in Pomerania in 1715, went to grammar school in Gdansk and the University of Königsberg. He entered military service as a Danish officer in 1736. In 1741, Kleist joined the Prussian Army as a second lieutenant in the 35th Infantry Regiment of Prince Heinrich of Prussia in Potsdam. Johann Wilhelm Ludwig Gleim, who lived in Potsdam at the time, was the first to awaken his literary talent. An idyllic poem written in hexameters, Der Frühling (The Spring, 1749), is considered to be the most important work by Kleist, who cultivated friendships with Johann Wilhelm Ludwig Gleim, Karl Wilhelm Ramler, Friedrich Nicolai and Gotthold Ephraim Lessing. In 1756, Ewald Christian von Kleist was promoted to major after having participated, among other things, in the Second Silesian War. In the same year, his book Gedichte von dem Verfasser des Frühlings appeared. In Leipzig, where he was appointed director of a military field hospital, the poet of the Enlightenment began work on his short epic poem Cissides und Pache. In May 1758, Kleist was a follower of Prince Heinrich’s corps, which drove the Imperial Army beyond Hof. Kleist was seriously wounded in the battle near Kunersdorf on 12th August 1759, at which Friedrich II suffered his worst defeat in the Seven Years’ War. On the orders of a Russian officer, Kleist was taken to Frankfurt (Oder), where he died from his wounds in the house of Gottlob Samuel Nicolai on 24th August 1759. The Russian garrison buried Ewald Christian von Kleist with full honours in the northern section of the cemetery near the Hospital St. Spiritus


[Kleist, Ewald Christian von]. Der Frühling. Ein Gedicht.
Nebst einem Anhange einiger anderer Gedichte von demselben Verfasser.
Verbesserte Auflage. Frankfurt 1764.
Mit einem Titelkupfer von Joh[ann] Martin Bernigeroth.

([Kleist, Ewald Christian von]. Spring. A poem.
Including a supplement containing various other poems by the same author.
New improved edition.
Frankfurt 1764.
With a title-page engraving by Joh[ann] Martin Bernigeroth.)
 

Ewald Christian von Kleist (1715-1759) wrote his poem Frühling (Spring) under the influence of James Thomson’s Season, Barthold Heinrich Brocke’s Irdischem Vergnügen in Gott (Earthly Pleasure in God) and Albrecht Haller’s Alpen (Alps). His stroll through nature, planned as a poem to encompass all seasons, was written between 1746 and 1749.
On the inside cover of this copy one can find a note, hand-written in French, concerning the memorial painting by Christian Bernhard Rode in Berlin’s garrison church. The painting was commissioned by Johann Wilhelm Ludwig Gleim and destroyed in the Second World War.


Mayer, J[ohann] C[hristoph] A[ndreas]. Beschreibung des Kleistischen Monuments von der hiesigen Freymaurer-Loge zum aufrichtigen Herzen errichtet.
Frankfurt an der Oder 1781.
Mit Kupferstichen von Carl Christian Glassbach nach Zeichnungen von Johann Christoph Vogeler.

(Mayer, J[ohann] C[hristoph] A[ndreas]. Description of the Kleist monument erected by the Lodge of Freemasons “To the Honest Heart” in this town.
Frankfurt an der Oder 1781.
With copper engravings by Carl Christian Glassbach, based on drawings by Johann Christoph Vogeler.)

In July 1777, the lodge of freemasons “To the Honest Heart” proposed the erection of a memorial to the officer and poet Ewald Christian von Kleist, who had died in Frankfurt (Oder). The monument created by Potsdam sculptor Johann Melchior Kambly was inaugurated as soon as September of the following year. 

 


Franz Alexander von Kleist

  • Portrait of Franz Alexander von Kleist

Today, Franz Alexander von Kleist (1769-1797) is the least known of poets named “Kleist”. During his military service in Halberstadt he came into contact with Johann Ludwig Gleim and began his literary work. He left the military in 1790 to work as a legation councillor in Berlin. After his marriage to Albertine von Jungk, he retired from state service and moved to Falkenhagen estate, not far from Frankfurt (Oder). The main themes of Franz Alexander von Kleist’s didactic, instructive poems were love and marriage. They are interesting to cultural historians, as they anticipate the era of Romanticism in places. 

 


Franz [Alexander] von Kleist. Liebe und Ehe in drei Gesängen.
Berlin, Vieweg [1796].
(Franz [Alexander] von Kleist. Love and marriage in three songs. Berlin, Vieweg [1796].)

This volume contains An Minnona (To Minnona), Das Glück der Liebe (The Joy of Love) and Das Glück der Ehe (The Joy of Marriage). The copper engraving on the title page to Das Glück der Ehe – produced by Friedrich Wilhelm Bollinger and based on a drawing by Wilhelm Jury – shows Franz Alexander von Kleist, his wife and their two children on a sofa.


Friedrich de la Motte Fouqué

  • Portrait of Friedrich de la Motte Fouqué

Fouqué, who came from an old aristocratic French Huguenot family from Brandenburg an der Havel, joined the Prussian Army as a young man. Having participated in the Rhine campaign of 1794, as well as serving as a lieutenant and cavalry captain with the voluntary riflemen in battles of the War of Liberation in both 1813 and 1815, Fouqué became known as the author of works such as Dramatische Spiele (1804), Romanzen vom Thal Ronceval (1805), Alwin (1808), Undine (1811) and the romance novels Der Zauberring (1813) and Die Fahrten Thiodulfs, des Isländers (1815). Under the patronage of August Wilhelm Schlegel, the romantic poet also wrote various works under the pseudonyms Pellegrin and A.L.T. Frank. Among other things, Fouqué wrote contributions to the journal Phöbus published by Heinrich von Kleist and to the Berliner Abendblätter. In 1803, Fouqué married the writer Caroline von Rochow.


Fouqué, Friedrich de la Motte. Sigurd, der Schlangentödter. Ein Heldenspiel in sechs Abentheuren. Berlin, Hitzig 1808.
(Fouqué, Friedrich de la Motte. Sigurd, the Serpent Slayer. Heroic drama in six adventures. Berlin, Hitzig 1808.)
The drawing on the title page is by Berlin history painter Karl Wilhelm Kolbe the Younger.

This “heroic drama” was Fouqué’s (1777-1843) first publication under his own name; all his previous publications had appeared under the pseudonym “Pellegrin”.
Sigurd the Serpent Slayer is the first part of a later trilogy of dramas, The Hero of the North (Sigurd the Serpent Slayer, Sigurd’s Revenge, Aslauga). The drama based on Nordic mythology met with considerable appreciation among his contemporaries and is often regarded as the model for Richard Wagner’s Ring of the Nibelungs – also in its use of Germanic stave rhyme.


Caroline de la Motte Fouqué

  • Portrait of Caroline de la Motte Fouqué; copy made by an unknown artist, about 1805

Caroline Philippine de la Motte Fouqué, nee von Briest – described as a beautiful woman with a lively intellect –, married a lieutenant of the Garde du Corps, Friedrich Ehrenreich Adolph Ludwig Rochus von Rochow, at the age of sixteen. The marriage was a failure. In 1799, Caroline and her children returned to the family estate Nennhausen near Rathenow and in January 1803 she married a former lieutenant of the 6th Cuirassier Regiment, Friedrich de la Motte Fouqué. Like her husband, after the wedding Caroline began to publish literary texts, which made her one of the few women of her era and social station who pursued an occupation besides domestic and representative duties. Caroline de la Motte Fouqué wrote ca. 20 novels, 60 stories, poems and theoretical tracts, as well as cultural historical essays. She published some works anonymously, e.g. the anti-cultural novel Rodrich, or under the pseudonym Serena. The extensive oeuvre of the romantic writer includes works such as Drei Mährchen (1806), Feodora (1814), Frauenliebe (1818) or Die graue Maske (1829). Geschichte der Moden, vom Jahre 1785 bis 1829. Beytrag zur Geschichte der Zeit (1829/30) is generally regarded as her most important work.


Fouqué, Caroline Bar[onin] de la Motte. Feodora. Ein Roman. Erster Band. Wien, Haassche Buchhandlung 1815.
(Fouqué, Caroline Bar[onin] de la Motte. Feodora. A novel. Volume One. Vienna, Haassche Buchhandlung 1815.)

Caroline de la Motte Fouqué (1775-1831) is among those early 19th century women authors who are being rediscovered today. As the Damen Conversations Lexikon puts it, “[...] with guidance from her husband, she was charmingly successful at developing a promising talent, and the products of her pen are thus characterised by imagination and skilled representation”. In addition to travel reports and essays, she wrote numerous stories and novels. The most successful were the two autobiographical novels Die Frau des Falkensteins (The Wife of Falkenstein) and Feodora.